As Miles and Becky hide themselves in a doctor's office, Miles goes into a moralistic speech about the pod people. The office scene between protagonist, Miles Bennell played by Kevin McCarthy and former girlfriend Becky Driscoll played by Dana Wynter occurs as they are escaping the pod people, launching the chase sequence. Although Invasion of the Body Snatchers did not intend to become an allegory of political work according to director Don Siegel, it is evident that through specific instances, the film became a symbolic contrast of individualism and collectivism. Invasion of the Body Snatchers illustrates the difference between America's collision of Individualism and the collective culture of conformity.
The film, Invasion of the Body Snatchers, suggested an "individual's unimportance in a complex, modern world." Beneath the unimportance was the political concern of conformity and loss of individuality among the residents of Santa Mira, California. In addition to the film plots, special effects were added to complete the cinematic experience.
These films presented incredible events that usually were the result of nuclear radiation, alien invasions, mutation, and body snatching influences. In the 1950s, The American cinema produced a sequence of science fiction films that generally revolved around and reflected significant political, cultural and social concerning plots.
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